The Big Lebowski and the State of Book Publishing

Old Guard media institutions have been slow to embrace the digital age.
Dec | 9 | 2009

Dec | 9 | 2009

A recent post by Forrester Research’s James McQuivey about the state of book publishing aroused my ire today. McQuivey laments the recent decision by Simon and Schuster and Hachette Book Group not to “release most eBook editions until the hardbacks have been on shelves for four months.”

McQuivey correctly points out that “old guard” media institutions such as the record industry, magazines, newspapers, and publishers have been slow to embrace the digital age. It’s certainly hard to argue with that assessment.

However, I have a hard time stomaching McQuivey’s argument here:

…books really aren’t worth $25. Just like newspapers weren’t really worth what people were paying for them and magazines, either. And CDs, and DVDs. These were all worthy of a high price when analog economics were the only economics. When people understood that they paid $25 to get some paper, ink, and a binding, all of which had to be warehoused, shipped, and slotted on shelves in warm stores with muzak and imported coffee odors wafting through the environment.

A digital book suffers from none of those impediments. Therefore: it should be cheaper. Stop glorying in historical prices and accept the fact that a digital book should not cost $25 unless it comes with some awesome, exclusive premium that makes it worthy of such a price.

Different Conceptions of “Value” and a Flawed Argument

Of course, the digital world means that the marginal cost of reproducing a eBook or digital track is effectively zero. This is simple economics. I have no bone to pick with McQuivey on this point.

However, am I the only one a little uncomfortable with some pundit deciding what a book should be worth? Or, more colorfully, to quote The Dude in The Big Lebowski, “What the fuck is with this guy?”

Call me laissez faire, but shouldn’t the market drive the price of a book? Do we really want someone arbitrarily deciding what constitutes “fair” value.

I can think of books that, on a personal level, have given me thousands of dollars in “value”, such as Dale Carnegie’s How to Win Friends and Influence People. That book significantly improved my people skills and relationships. On the other hand, for me, a trashy romance novel has no value. To others, however, it’s a much-needed form of escape.

At a core level, value has always varied according to each individual consumer. If Rush released a new CD tomorrow with a $100 price, rest assured that I’d buy it without blinking an eye. Most of my friends wouldn’t pay $1 for the same album. There’s one simple reason for this apparent contradiction:

I have much better taste in music than most of my friends.

I jest, of course. But if you think about only the cost of production, then yes, $25 might seem inflated for a book. However, think about the following:

  • the number of pages in most books
  • how long it takes a person to read an average book of 250 pages

On a per-hour basis, reading is still a really cheap form of entertainment, whether the price of a book is $25 or the $10 number that McQuivey deems appropriate.

A Different World and the Consequences of “Free”

Finally, let’s not forget that there are myriad stores and sites (ok, just sites) selling new and used books. If a book is listed at $24.95, does anyone actually pay that? Let’s go back a few years. We are certainly not living in the early 90s. When I was in college, no one was able to find low cost textbooks nearly as easily as one can today. We were beholden to the college book store. Not no mo’.

The bottom line is that the Internet has caused the prices of many things to drop precipitously—and books certainly fall into that group. The net is an unparalleled distribution network driving prices lower and lower. Those that think that all books should be “free” means that fewer authors will take the time to pen important and entertaining works. Do we as a society really want that?

What do you think? Is this author being defensive and, to use The Dude’s word, uptight?


Receive my musings, news, and rants in your inbox as soon as they publish.


Blog E Publishing E The Big Lebowski and the State of Book Publishing

Related Posts

Thoughts on Citizen Developers and Author Choices

The other day, I was speaking with my new buddy Sam Sibley about citizen development. Sibley serves as a global head at PMI. He's also one of the authors of Citizen Development: The Handbook for Creators and Change MakersOne of the very books on the subject...

Book Review: Wonder Boy

In 2011, I moved from NJ to Vegas. It didn't take long for me to hook up with the Vegas tech scene and the Downtown Project. Over the course of my five years in Sin City, I attended events, spoke at Zappos's HQ a few times, met plenty of smart cookies, and learned a...

Publication of Project Management in the Hybrid Workplace

am pleased to announce that Project Management in the Hybrid Workplace is now available for purchase. Why give it a read? Lots of reasons, but here's a biggie. As I'm well aware, the existing canon of PM books is substantial. Still, the vast...


  1. James McQ

    Love your point, Phil, and as I said in my comments on own post — I completely agree in theory. The market should determine the price. But for now, we’re stuck with these analog enterprises like publishers who won’t invest in a book unless they can model its return (using a fixed price to do so). That’s the reason Radiohead could try a “pay if/when you want” model for its last album, because they didn’t have to guarantee any studio a specific return but could gamble on the value of what they created rather than what they distributed (which is how fixed pricing is determined).

    So no disagreement from me: I see a future world where an author can — through social media and places like Goodreads — put a good book in front of potential readers and have them assign a value to it. But that can’t be a mainstream model today.

  2. James Chartrand - Men with Pens

    While market value certainly can be determined by readers, there are more factors that go into it than people saying, “Ah, I think this is worth a dime!” or “Oh, this is definitely worth a fortune!” Scarcity, demand, etc etc…

    Regardless. If more people creating and selling ebooks maintained a “do not drop below” line on their prices, then they wouldn’t have to sit there and be at the whim of readers who think $10 is all an ebook is worth.

    They’re a lot of work. They take time and skills. They’re just as much blood, sweat and tears as print books – I know. I’ve written both. True, they’re digital format, which saves on paper, ink, binding and shipping, but they do require investment to create and maintain.

    So, considering that, if ebook writers said, “Never sell below X dollars,” then THEY help set the pricing. They don’t leave it up to the buyers discretion.

    (The “pay what you want” model isn’t one I think is very… good. I dunno about that one, I’m up in the air on it.)

    I’d change jobs before selling an ebook at $10. Seriously. (Ha! I might have to, one day!)

  3. Jim Harris

    Perhaps the Radiohead “pay if/when you want” is an unrealistic model for letting the market determine the price – since the market won’t determine value, they will simply (to paraphrase Steve Miller) “Take the Freebies and Run.”

    Perhaps the future is the Pearl Jam model from 2001-2002, when the band sold 72 (no, that isn’t a typo – seventy-two) live albums on their website. Why was this possible? They were selling to a receptive market – their diehard fans.

    Just like Phil would gladly pay $100 for a new Rush CD (and probably $1000 for a personally dedicated new Rush CD), I think the “market” of the future will be a near infinite number of mini-markets – similar to the ideas raised by Chris Anderson in his books “The Long Tail” and “Free” – tailored to meet the needs of very specific on-demand consumers. How exactly? I don’t know. I am not that smart.

    So, book prices? Mark it $25, or mark it Zero, Dude.

    If I don’t want the book (or whatever else your selling), then price doesn’t matter.

  4. Tim

    All media will need an electronic piece or live aspect for it to sell and make a profit. Bands once toured to sell CD’s, Now they will make CD’s so they can tour. The money is the experience not the words.

    Products like the kindle and Apple’s Tablet will start to effect the way content is being consumed.

  5. philsimon

    Good stuff, guys.

    I agree with just about everything, save for Jim’s line that I would pay $1000 for a personally dedicated new Rush CD.

    Jim – you should know me by now. I would pay a hell of a lot more than that.


Submit a Comment

Your email address will not be published. Required fields are marked *